Bowl with Bird and Flowers
Artist | |
Name | Unknown |
Basic Info | |
Period | Samanid period |
Created in | Middle East, Iran |
Century | 10th-11th century |
Dimensions | 8.7 x 23.8 cm (3 7/16 x 9 3/8 in.) |
Harvard Museum | |
Department | Department of Islamic & Later Indian Art |
Division | Asian and Mediterranean Art |
Contact | am_asianmediterranean@harvard.edu |
Context
20 Bowl with bird and flowers Iran, 10th–11th century Red earthenware covered in off-white slip and painted with black (manganese and iron), green (chromium), and red (iron) under clear lead glaze 8.7 × 23.8 cm (3 7/16 × 9 3/8 in.) 2002.50.54 Published: McWilliams 2003, 227, 229, fig. 4. The decoration on the interior of this vessel is characteristic of slip-painted wares now generally attributed to workshops in a region south of the Caspian Sea.[1] Typically, as here, the design of these bowls is dominated by a single large, leftward-facing bird with distended belly, elaborately crested head, and two-colored, bifurcated tail. Birds and surrounding flowers are often outlined in a darker color that may be topped with tiny white dots; white dots also accent dark spots on the bird’s body. Off-white slip and green-tinged glaze completely coat the interior of this bowl. On the exterior, the slip only patchily covers the walls, and the glaze is restricted to the area around the rim. The concave base is uncoated. The bowl has been reassembled from about ten fragments, with plaster replacing losses in the lower left quadrant of the center, and it retains earlier and rather awkward overpainting of the bird’s lower belly and legs. Mary McWilliams [1] Similar vessels have been known as Sari wares, after a town in northern Iran where they were said to have been produced. See Watson 2004, 243; Pancaroğlu 2007, 73; and Fehérvári 2000, 58–59.
Harvard Art Museums/Arthur M. Sackler Museum, The Norma Jean Calderwood Collection of Islamic Art