Strigil (Scraper)
| Artist | |
| Name | Unknown |
| Basic Info | |
| Period | Classical period to Hellenistic |
| Created in | Ancient & Byzantine World, Europe |
| Century | 5th-4th century BCE |
| Culture | Greek |
| Dimensions | 23.3 x 2.1 cm (9 3/16 x 13/16 in.) |
| Harvard Museum | |
| Department | Department of Ancient and Byzantine Art & Numismatics |
| Division | Asian and Mediterranean Art |
| Contact | am_asianmediterranean@harvard.edu |
Context
The leaf-shaped terminal of the handle of this strigil bends into a Z-shape, flat, rectangular section curves and then expands especially at the bend (1). The handle is thickest at the juncture between the handle and scoop. The shoulders of the scoop are rounded, forming a deep bowl; the maximum depth at the curve of the scoop is 0.9 cm. A strigil, which consists of a curved scoop with a handle, was a tool used in the baths for cleaning an individual’s body. Oil would be applied to a person’s skin and then removed, along with dirt or sweat, using the curved scoop of a strigil (2). The Apoxyomenos statue type, known from ancient literature as well as several copies including two over-life-size bronze versions, depicts an athlete cleaning the scoop of a strigil after use (3). NOTES: 1. Compare D. M. Robinson, Olynthus 10: Metal and Minor Miscellaneous Finds (Baltimore, 1941) 172-78, nos. 517-50, pls. 32-36; M. Comstock and C. C. Vermeule, Greek, Etruscan and Roman Bronzes in the Museum of Fine Arts, Boston (Greenwich, CT, 1971) 412, nos. 588-89; and J. Tabolli, “Gli strigili,” in Il Museo delle Antichità Etrusche e Italiche 3: I bronzi della collezione Gorga, ed. M. G. Benedettini (Rome, 2012) 422-43, nos. 1279-390. 2. For an overview of the use of strigils, see G. M. A. Richter, Greek, Etruscan, and Roman Bronzes (New York, 1915) 293-94. For an overview of strigil types, see C. W. Blegen, H. Palmer, and R. S. Young, Corinth 13: The North Cemetery (Princeton, 1964) 91-95, fig. 9. 3. Pliny, Natural History 34.65. For the statue type and copies, see J. M. Daehner and K. Lapatin, eds., Power and Pathos: Bronze Sculpture of the Hellenistic World, exh. cat., Palazzo Strozzi, Florence; the J. Paul Getty Museum, Los Angeles; and the National Gallery of Art, Washington, DC (Los Angeles, 2015) 122-23 and 270-81, nos. 40-44. A red-figure plate at Harvard, 1960.351, also depicts an athlete holding a strigil. Francesca G. Bewer and Lisa M. Anderson
TechnicalDetails
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Miss Bettina J. Kahnweiler