Female Anthropomorphic Statuette
Artist | |
Name | Unknown |
Basic Info | |
Period | Archaic period to Classical |
Created in | Ancient & Byzantine World, Europe, Umbria |
Century | 6th-4th century BCE |
Culture | Etruscan |
Dimensions | 2.6 cm (1 in.) |
Harvard Museum | |
Department | Department of Ancient and Byzantine Art & Numismatics |
Division | Asian and Mediterranean Art |
Contact | am_asianmediterranean@harvard.edu |
Context
The statuette has beveled edges, which indicate file finishing. On 1920.44.248, the smallest of Harvard’s figurines in this series, the gender seems most decisively indicated by roundels for breasts and an inverted triangle for the vulva. The legs are rounded to a soft point. The facial features of this type of votive offering have a relatively uniform style: punched roundels for eyes, a raised ridge formed by the angular modeling of the head for a nose, and a simple incised groove for a mouth. Gender can be difficult to determine, as both male and female figures are depicted with nipples; the difference may be that “breasts” tend to be indicated by larger, punched roundels. Genitalia for the females are often an inverted triangle, while for the males there is a nearly circular knob of bronze, although sometimes it is flattened, making identification difficult. These statuettes also have a common stance with arms outstretched to the sides and legs parted in a V-shape. The open positioning of the arms is generally interpreted as a pose of prayer, consistent with that of other types of votive offerings found in tombs and sanctuary deposits (1). The Umbrian examples of this type of votive are cast and file finished; 1,600 of them were found in a pit deposit at a mountain sanctuary at the top of Monte Acuto, Italy (2). A similar sanctuary context for the five figurines in the Harvard collection may also be assumed. Small, lightweight, and flattened in form, they would have been easy to produce and may have been made near cult shrines to catch the trade of visiting pilgrims. NOTES: 1. For comparison, see 1979.403. 2. Compare L. Bonfante and F. Roncalli, eds., Antichita dall’Umbria a New York, exh. cat. (Perugia, 1991) 213-20, nos. 4.15-4.31, for a general discussion of these anthropomorphic figurines. See also C. Cagianelli, Bronzi a figura umana, Museo gregoriano etrusco 5 (Vatican City, 1999) 241-53, nos. 45-90, which are described as the “Esquiline” group, comparable to 1920.44.116.1, 1920.44.248, 1992.256.90, and 2012.1.36. For 2012.1.35, compare ibid., 254-60, nos. 91-114, described as the “Aemilia” group. Aimée F. Scorziello
TechnicalDetails
Harvard Art Museums/Arthur M. Sackler Museum, Gift of the Misses Norton