Bahram Gur hunts with Azada (painting, verso; text, recto), folio from a manuscript of the Shahnama by Firdawsi
Artist | |
Name | Unknown |
Basic Info | |
Period | Safavid period |
Created in | Middle East, Iran, Shiraz |
Century | 16th century |
Culture | Persian |
Dimensions | 37.2 x 24 cm (14 5/8 x 9 7/16 in.) |
Harvard Museum | |
Department | Department of Islamic & Later Indian Art |
Division | Asian and Mediterranean Art |
Contact | am_asianmediterranean@harvard.edu |
Context
89 A–B Double page: Bahram Gur Hunts with Azada A. Verso: text and illustration Folio: 37.2 × 24 cm (14 5/8 × 9 7/16 in.) 2002.50.157 B. Recto: text, with title “Bahram Gur hunting” Folio: 37.2 × 24 cm (14 5/8 × 9 7/16 in.) 2002.50.158 Bahram Gur, a son of Yazdigird III, took his slave girl, a harpist named Azada, on a hunt. As they rode together on his camel, Azada challenged Bahram to do the seemingly impossible: to transform a male gazelle into a female and a female into a male, and to pierce a gazelle’s foot and ear with a single shot. Bahram immediately shot the horns from a buck and sent two arrows into the head of doe; he then grazed a third gazelle’s ear with a stone and, when the animal scratched the nick, pinned its leg to its ear with one arrow. The artist of the painting has departed from the text, showing a harp-playing Azada, by herself on a camel, watching Bahram Gur hunt on horseback. Between them are a “horned” doe and an unfortunate buck shot through leg and ear. A large hunting party, uncalled for by the text, can be seen in the background, witnessing Bahram’s prowess. Mika M. Natif
Harvard Art Museums/Arthur M. Sackler Museum, The Norma Jean Calderwood Collection of Islamic Art